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Jona Hoier
Karin Pichler
Markus Murschitz
Milo Tesselaar
Miriam Mone
Stephan Bergmann
Ulrich Reiterer
04.04.2013 - 01.07.2014
concept
21.09.2012 - 14.10.2012
film/video/documentary
23.09.2011 - 16.10.2011
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24.09.2010 - 17.10.2010
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18.09.2009 - 20.10.2009
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24.11.2008 - 24.11.2008
interactive installation
01.08.2008 - 16.06.2009
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15.06.2007
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13.06.2007
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01.06.2007 - 05.06.2007
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25.01.2007 - 15.03.2007
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30.09.2006 - OPEN END
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22.06.2006 - 30.06.2006
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02.02.2006 - 06.02.2006
interactive installation
22.08.2005 - 16.12.2005
interactive installation
19.06.2005 - 26.06.2005
film/video/documentary
19.06.2005 - 26.06.2005
film/video/documentary
09.06.2005
interactive installation
09.06.2005 - 17.06.2005
interactive installation
22.12.2004
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10.11.2004
interactive installation
17.07.2004 - 31.01.2005
film/video/documentary
05.06.2004 - 05.06.2006
application
04.01.2004 - 30.06.2004
gamedesign
21.11.2003 - 02.04.2004
interactive installation
26.07.2003 - 29.09.2004
exhibition design
09.06.2003 - 25.06.2003
workshop
28.03.2003
live VJing
06.03.2003 - 31.12.1969
interactive installation
04.03.2003 - 31.12.1969
gamedesign
28.02.2003 - 30.06.2003
film/video/documentary
30.09.2002 - 30.06.2003
film/video/documentary
09.09.2002 - 09.09.2002
live VJing
18.03.2002 - 18.12.2002
film/video/documentary
09.04.2001
gamedesign
NILREB
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22.08.2005 - 16.12.2005
berlin, exibition
berlin, exibition
GENRE
interactive installation
LOCATION
dieselwall
TEAM
JONA
KARIN
MILO
STEPHAN
ULI
LINKS
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"All new media not only double reality--they do this only fragmentarily--but also, above all, they are the doppelgängers of the old media. Media as doubling machines are vampires. The old media fear that the new doppelgängers will live on their blood, that they will be bled dry, consumed and contaminated. The new media always claim to replace the old media. But the old and the new media ought to know that whoever kills his doppelgänger, also kills himself.[...]" (peter weibel: „phantom painting reading reed: painting between autopsy and autoscopy, part III”) berlin is a vampire Especially if time has come to announce itself as the new capital city of art, culture or music. As no other german city berlin is supported by a not ending inflow of people and their creative shadows. The city seems to have a magnetic field that is unrestistable, and forces the inhabitants of such an oversized place to a narcism of the little varieties, as a possibility to displace themself from their city. the object Because of its altitude the mirror will not gratify the wish of an observer to see his/her own reflection. As an observer you remain as a phantom/ vampire and in terms of ralph elison also invisible to other observers. In contrast to that the city reflects itself permanently, fulfilling its (im-)proper, narcistic end in itself The project was handed to the dieselwall jury and was presented as one out of ten concepts that were priced.